ideology that supports 1>1.

a sprawling city with a gorgeous skyline. home to little new york, the strip, and many beautiful shopping centers. very, very hot... image

businessman turned 45th president of the united states. part of a massive pedophilia ring involving jeffrey epstein and ghislaine maxwell. claimed he would "make america great again" but has turned it into the laughingstock of the world by promoting racism, sexism, and failing to do pretty much anything useful. currently undermining the united states postal service, admitting to attempting to sabotage the presidential election.

coronavirus disease 2019. first case reported in november 2019 in china. a virus which is from the family of coronaviruses known to cause sars and even the common cold. attacks the respiratory system and is particularly dangerous for the elderly and those with compromised immune systems. cause of the current global pandemic which was declared in march 2020 by the world health organization.

an animal that represents sneaky and two-faced people in turkish culture.

missing a friend.

benedict arnold was an outstanding general. at saratoga, bhe showed enormous courage leading the charge that broke through burgoyne's lines. but he was a vain and sensitive man, who felt that he had been badly treated by congress and the army. in april 1779, arnold persuaded washington to put him in charge of west point, the fort on the lower hudson. once there, he arranged to sell the fort to the british. the plot was discovered; arnold escaped and was made a general by the british, but they never trusted him, even after he moved his family to england.

papers intended for benedict arnold detailing the sale of west point to the british are found in a fellow traitor's boot. image

whatever hurts is true. belief that the truth must hurt to be the truth.

horses have always been really significant for the turkish people for more than 5000 years. they used to name horses according to their hair color.

a guilty pleasure is something that brings enjoyment or pleasure, but that is considered to be lowbrow, embarrassing, or otherwise unworthy of admiration. for example, someone might consider watching a cheesy romantic comedy or listening to bubblegum pop to be a guilty pleasure. guilty pleasures are typically seen as indulgences that are not to be taken seriously, and they may be something that a person enjoys privately or only with close friends. some weird examples of guilty pleasures might include eating raw cookie dough, watching reality tv shows, or collecting figurines of cartoon characters.

ochlocracy, also known as mob rule, is a form of government in which control is exercised by an unruly mob or by a mass of people lacking the necessary skills and knowledge to govern effectively. this term is often used to describe a situation in which a government is controlled by people who are not elected to office, but instead are members of a mob who act impulsively and without regard for the laws and regulations of the state.

historically, ochlocracy has been associated with some of the earliest forms of democracy in ancient greece, particularly in athens, where the people had a direct say in the running of the city-state through the institution of the popular assembly. however, this system of government was also prone to mob rule and was often marked by outbreaks of violence and chaos. in these early democracies, there was no clear separation of powers or system of checks and balances to prevent the mob from exercising control over the government.

in modern times, the term ochlocracy is often used to describe situations in which the mob exercises control over the government through street demonstrations, riots, and other forms of public unrest. this can occur in both democratic and authoritarian regimes and is often a result of a failure of governance, widespread poverty and inequality, or widespread public discontent with the ruling authorities. in some cases, ochlocracy can also be a result of outside interference by other states or non-state actors who seek to destabilize a government and exert control over its population.

in conclusion, ochlocracy is a form of government that is marked by mob rule and the lack of effective governance. throughout history, it has often been associated with early forms of democracy and has been seen as a result of a failure of governance or widespread public discontent.

gerrymandering is the practice of manipulating the boundaries of electoral districts to favor one political party or group over another. this can be done in various ways, such as packing voters of one party into a single district, cracking the supporters of a particular party across multiple districts or shifting the boundaries in a way that benefits a particular candidate or party.

for example, let's say a state has a population of 50% democrats and 50% republicans. if the party in power redraws the district lines in a way that packs all the democrats into a few districts and spreads out the republicans over the remaining districts, they can essentially ensure that their party wins a majority of the seats in that state, even though they don't have a majority of the overall votes.

another example of gerrymandering is racial gerrymandering, which involves redistricting in a way that diminishes the voting power of racial or ethnic minorities. for instance, if a state has a large population of latino voters, and the district boundaries are redrawn in a way that divides them across multiple districts, their voting power is diluted and their ability to elect a representative who truly represents their interests is severely impacted.

gerrymandering can have significant consequences for the political process, including reduced competition, decreased voter turnout, and the disenfranchisement of minority voters. it can also lead to the election of representatives who are not truly representative of the interests of their constituents.

efforts to combat gerrymandering include initiatives like independent redistricting commissions, which aim to take the power of redistricting out of the hands of politicians and ensure that districts are drawn fairly and with the best interests of voters in mind.

in summary, gerrymandering is a practice that involves manipulating the boundaries of electoral districts to benefit a particular political party or group, often at the expense of minority groups or fair representation. efforts to combat gerrymandering aim to promote fair and competitive elections and ensure that districts are drawn in a way that truly reflects the will of the people.

thomas bernhard's life was marked by relentless misfortunes from the very beginning. born out of wedlock, he carried the stigma of "illegitimacy" in a society that cared deeply about such things. his mother never hid her contempt for him, and his childhood was overshadowed by a sense of rejection. physical illnesses repeatedly brought him to the brink of death, and a misdiagnosis by a doctor cost him his beloved grandfather—one of the few people he truly loved. although bernhard's parents were austrian, his mother, desperate to escape the social pressures of an illegitimate birth in austria, delivered him in a monastery in heerlen, in the netherlands. he was later raised by his grandparents back in austria.

at eleven years old, bernhard was sent to a boarding school in salzburg, where he studied music aesthetics, violin, and voice. by the late 1940s, he developed the severe lung disease that would haunt him for the rest of his life. during a two-year stay at the grafenhof sanatorium, he suffered devastating losses: first his grandfather, the single most important person in his life, and then his mother a year later. by the time he left the sanatorium, he was a budding young journalist, forced early on to grapple with grief and existential questions.

bernhard's first significant published work was a poetry collection, auf der erde und in der hölle (on earth and in hell), released in 1957. however, his true literary breakthrough came in the spring of 1963 with his first novel, frost (freeze), which quickly garnered critical acclaim. at the time, bernhard was living with his aunt in vienna, making ends meet by taking on construction jobs—digging trenches, driving trucks—and steadily forging his unique literary identity. frost earned him the bremen literature prize, which opened new doors.

with the prize money and additional support from his publisher, bernhard bought a farmhouse in upper austria. he spent most of his life there in isolation, venturing abroad frequently but always returning to this rural retreat. yet he never severed his ties to vienna. he regularly traveled back and forth between the countryside and the city, unable to settle comfortably in either place. whenever he grew weary of rural life, he fled to vienna, and as soon as vienna lost its appeal, he hurried back to his farmhouse. when neither option satisfied him—something that happened often—he escaped beyond austria's borders altogether. in fact, he wrote most of his books during these restless journeys.

in an interview, bernhard explained that every one of his books was created in different places—vienna, brussels, somewhere in yugoslavia, poland. he never had a dedicated writing desk and preferred working in noisy environments. construction cranes, bustling crowds, blaring streetcars, even laundries and butcher shops—none of these disturbed him. he found it stimulating to write where he didn't speak the local language, calling it an "encouraging" factor.

bernhard's fame soon spread beyond austria and germany. he was met with great enthusiasm in many parts of continental europe, especially in italy, spain, and france, where his works were quickly translated. his influence was also immense in russia and across the former soviet republics, earning him recognition in slavic literary circles.

over his lifetime, bernhard was astoundingly prolific: nine major novels, five long stories, four volumes of short stories, two volumes of shorter prose pieces, a five-volume autobiography, eighteen plays, several shorter dramas, three volumes of poetry, and countless interviews. he even had many unpublished works that rivaled in quantity those he had already released.

this vast output brought bernhard numerous awards. he received the julius campe prize in 1964, the bremen literature prize in 1965, austria's national prize and the anton wildgans prize in 1968, the georg büchner prize from the german academy for language and literature in 1970, the franz theodor csokor prize and the adolf grimme prize in 1972, and the hanover theater prize and prix seguier in 1974. in 1976, he earned the austrian economists' association literature prize. twice nominated for the nobel prize in literature by the german pen club, he never won, but he famously declared that he would have gladly accepted it—only so he could then turn it down.

bernhard died in 1989 at the age of 57, finally meeting the end he had contemplated so deeply and woven so thoroughly into his books.

the controversy of legacy and identity

two days before he died, bernhard left a will that was as controversial as his life's work. he explicitly banned the performance, publication, or public reading of any work he had published or left behind within austria's recognized borders for as long as his copyrights remained valid. he wanted no involvement with the austrian state, a system whose moral rejection of him began the moment he was born. this ban reflected his lifelong defiance, not only against the austrian government but also against all forms of cultural complacency.

a revolutionary literary style

bernhard's writing stands as a rebellion against the traditional novel in both form and content. readers sense something missing: no conventional story, no grand finale. he dismantles standard narrative structures, refusing to break his work into paragraphs or chapters. everything is presented as one continuous block, resisting logical categorization. his narrative world can begin anywhere and end everywhere, allowing the reader to open the book at any point without losing the thread—because, strictly speaking, there is no linear thread. his works lack the usual "plot" we expect from novels; they exist in a state of suspended action.

this approach leaves the story perpetually "open." you cannot easily summarize a bernhard narrative to someone else because it resists any neat reconstruction. his works might feel repetitive or monotonous at first glance, but this "monotony" actually reveals an intricate landscape of subtle differences for those patient enough to look closely. in describing this effect, bernhard himself used a brilliant metaphor: staring at a white wall long enough reveals that it's neither blank nor uniform. with time—and a certain loneliness as your companion—you begin to notice cracks, indentations, tiny movements, and insects. the wall, like his texts, becomes alive with detail.

everything in bernhard's writing is intentionally crafted and exaggerated. he believed that only through exaggeration could we truly understand how bad reality can be. this overemphasis serves as a form of aesthetic stance: to make something understandable, he insisted, you must present it in an extreme form.

repetition is a core technique in bernhard's work. he tells essentially the same story in every novel—though always in new ways—and then repeatedly revisits phrases, sentences, and descriptions. he frequently employs narrators who restate what the main character has told them. the narrator's voice often risks losing its own identity in the overwhelming presence of the protagonist's worldview. each bernhard novel reads like a monologue, delivered through a proxy, anchored in the same philosophical undercurrent: the inescapable tension between individual existence and a world that feels impossibly hostile.

bernhard's protagonists live secluded, often in remote rural places that serve as both prison and refuge. they flee the city's horrors only to discover that the countryside offers no relief. he despised the notion that pastoral settings or small towns were inherently wholesome or redemptive. for bernhard, nature was "rotten," rural life even more corrupt and depressing than the city. there is no safe haven—no place is free of human folly and decay.

this relentless negativity might seem bleak, but it's central to his vision. for bernhard, the only true escape from the world's misery is death. to live means to suffer, to endure crushing loneliness, and to fail to communicate one's inner torment. it's no surprise that one of his most famous public statements—delivered when he received a national literary prize in austria—was simply that when you consider death, everything else becomes absurd.

turkey is a country where the minister of health personally owns private hospitals, the minister of tourism personally owns hotels, and the minister of education personally owns private schools.

me!